press
on mud
"Balint has succeeded in recording the young year's most quirky and compelling album."
Billboard

"Darkly ironic tunes laced with supple fiddle playing."

The New Yorker

"On the quirky Mud, [Balint] sings of shady predicaments, her low, cool vocals mingling with twangy strings and echoing vibraphones."
Entertainment Weekly

"Captivating…Balint slinks and shudders in a manner not unlike Polly Jean Harvey... while wending her way from dirt road nastiness to penthouse elegance. Fasten your seat belts."
David Sprague, Village Voice

"Working with producing Svengali JD Foster guarantees sultry vocals and warm, intimate arrangements. In the case of Eszter Balint and her sophomore release for Bar/None, Mud, Foster delivers once again, with [Ms. Balint] haunting west side Americana with urban aplomb."
Austin Chronicle

"[The album closer'] "Who Are You Now" starts out sounding like this year's most poignant broken heart song. But in the last verse, [Balint] makes the whole story sound tragic for a different, delusional reason. It is this type of intrigue that makes Mud one of the more captivating albums to come so far this year."
Pittsburg Pulp

"An unusually crafted and starkly satisfying album. Her smoky provocative vocals [are] supported by captivating arrangements [and] her song constructions often have a frantic beauty."
Miles of Music



"Her songs are full of characters on the run... Miss Balint has her own film-noir sensibility as a songwriter. She puts arty twists into back-alley Americana... But the cleverness is not the point. [She] slips inside her characters to project their restlessness and longing..."
Jon Pareles,
The New York Times

"Mud casts an undeniably seductive spell. A cool but spooky vibe runs through its 10 songs, and The Soprano folks should be calling any day to borrow one of Balint's lovely and dark ditties for a future episode."
Amplifier

"Balint and her band show up, turn it up, and let fly with a collection of songs that balances nuance, grace, toughness, and a cool reportorial cynicism... and it all throbs with a kind of languorous tension that makes it shabbily elegant and rustically beautiful."
Thom Jurek, All Music Guide

"Unconventional voices that defy classification, but demand attention. Such is the case with the amazing Eszter Balint. Years from now, mainstream music magazines will be writing about the buffet in the casino lobby outside Beyonce's Vegas lounge show. But Balint will still be making timely, challenging music."
Tampa Tribune

"The album flows from style to style to style, song to song effortlessly... Eszter Balint has managed to create a record that achieves most or all of what her more popular contemporaries have failed to for the last several years."

Jaded Times
"Mud conjures rural calm as much as it does urban grit. Her songs are ominously spare in sound and lyrics, and firmly focused on Balint's placid, inviting voice."
Time Out New York

"Unlike many actors who venture into music, Eszter Balint made a wise move. [She] has clearly found her true calling on the seductively compelling Mud. Drawing on rootsy sounds, this understated sophomore album offers time-tested takes on desire and alienation, yet never seems rote."
Jon Young, Harp

"Balint possesses a lived in sort of voice... [she] adapts masterfully to every change of tenor, waxing alternately wan and wild, giving the impression that she's capable of going off the rails at any moment -- and just as capable of righting herself for a graceful exit on cue."
Barnes & Noble.com

"[Balint] is neither self-absorbed soul-searcher nor hip-cocked rocker... her arrangements create an oddly enveloping atmosphere."
Orlando Weekly

"The striking Mud is primal but ghostly, lovely but devilish... it finds [Balint] cooing picturesque tales amid fractured, smoky arrangements."

Orange County Register

"There's not a throwaway on Mud. This disc will likely garner a lot of attention."

Greenwich Time

"It's one of the most truly stage setting, mood altering albums I've ever heard. The intensity ranges from a subtle moodiness to urgency and eagerness. It's completely engaging."

indieworkshop.com
on flicker
First, [Balint] can play... second, her vocals are strictly of the unsweetened variety... third, and most important, she can write.
...Balint has a presence all her own: stumbling upon one of her shows might be like finding a wonderful singer performing in a shack at the end of a dirt road."
Time Out New York

"Ms. Balint is a warm and expressive singer... [Her] astounding ballad, 'Amsterdam Crown' is as sad and wistful a song as has been written in recent memory"
The New Yorker


"Ms. Balint's songs are funny, weird and wise, and she delivers them with great imagination."
Ann Powers, NY Times

"Her hipster celluloid credentials be damned...this is a smart, great record.
Paper Magazine
"The beautifully upsophisticated mess of rural textures and haunting melodies give [the songs] a distinctively odd yet compelling feel...One of the more extraordinary debuts in recent years."
CMJ Weekly

"Eszter writes haunting reveries that span the city and the bayou. Her songs are at once street-smart and vulnerable; they groove and they're strong in broken places.

Michael Azerrad
Author